Item No. : AKRT/18/A4Mixed LacquerFirst encounter with Arakawa san’s wood lacquer works, I was immediately drawn to the rich textural surfaces, the playful yet sophisticated interplay of colours and the...

Item No. : AKRT/18/A5White LacquerFirst encounter with Arakawa san’s wood lacquer works, I was immediately drawn to the rich textural surfaces, the playful yet sophisticated interplay of colours and the...

Item No. : AKRT/21/F Black lacquerFirst encounter with Arakawa san’s wood lacquer works, I was immediately drawn to the rich textural surfaces, the playful yet sophisticated interplay of colours and the...

Item No. : AKRT/24/E White lacquerFirst encounter with Arakawa san’s wood lacquer works, I was immediately drawn to the rich textural surfaces, the playful yet sophisticated interplay of colours and the...

Item No. : AKRT/27/DBlack LacquerFirst encounter with Arakawa san’s wood lacquer works, I was immediately drawn to the rich textural surfaces, the playful yet sophisticated interplay of colours and the...

Item No: MO/L1Motomu OyamaThe glow of silence.    A candle light flickering at the slightest breeze… softly teasing our senses, leaving echoes of luminous imprints in the dark, revealing more...

品番: EN/SP/9B野口悦士約 19.5 ㎝ x H 1.4 ㎝灰白皿白土の白化粧によるもので、黒斑は土の成分によって発色しています。還元焼成によって生じています。野口悦士は鹿児島県を拠点に活動する現代陶芸家である。南の島の種島焼締め陶器に魅了され、1999年に移り住んだ。名高い陶芸家・中里隆のもとで修業を積み、薪窯を用いて技を磨いた。エウロパに伝統的な窯がほとんど使わず時、ゲストポッターとしてイタリア、デンマーク、北アリゾナに薪窯の技法を紹介し、築窯がされくれた。コレクションをご覧下さい  ＊商品写真はできる限り実物の色に近い室内/自然光の下で撮影しています。お使いモニターやお部屋の照明等の違いにより実際の商品と色味が異なって見える場合がございます。

Item No: MO/P4Motomu OyamaDiameter approx. 26.8cm.  Height approx. 1.2cm Little sparkles of life delicately expressed on an otherwise plain white plate, adding patina-like texture and warmth to its surface. 

Item No : MO/V2Works by Motomu OyamaDiameter approx. 9.5cm  Opening approx. 4.5cm  Height approx 7.4cmA  vase with wabi sabi nostalgic expression. Its glossy finish with patina-like edges gives it a...

Item no: 2-4 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A Japanese...

Item no: 2-1 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A Japanese...

Item no: 4-2 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A Japanese...