Item no : OK/P24/GP "Peeled off" cement-like texture, combined with soft peach and pink tones for inner glaze, Kenji Omori's works give out modern Tuscan vibes.  Upon applying white clay...

Warm white layered surface with a rich expression. Perfect for appetiser, dessert or any side dish. Suitable for daily use.

Smoky black like the midnight fog, with granite-like texture. Perfect for appetiser, dessert or any side dish. Suitable for daily use.

The form is inspired by wooden fishing boats that once dotted along the many alcoves of Kyoto coastline. The Kyo-iro coloured clay series (Kyoto colour series ) feature a matte...

The shape is inspired by wooden fishing boats that once dotted along the many alcoves of Kyoto coastline. The Kyo-iro coloured clay series (Kyoto colour series ) feature a matte...

Item no. EN/DP/5CEtsuji Noguchiapprox. Dia 19.1cm x H 2cmVerdigris GreenHis signature oxidised copper-like green pigment and texture is achieved by not firing only once or twice, but at least 4...

Item no. EN/DP/5BEtsuji Noguchiapprox. Dia 19.5cm x H 2cmVerdigris GreenHis signature oxidised copper-like green pigment and texture is achieved by not firing only once or twice, but at least 4...

Item no. EN/DP/5AEtsuji Noguchiapprox. Dia 20cm x H 2cmVerdigris GreenHis signature oxidised copper-like green pigment and texture is achieved by not firing only once or twice, but at least 4...

Item No. : AKRT/24/E White lacquerFirst encounter with Arakawa san’s wood lacquer works, I was immediately drawn to the rich textural surfaces, the playful yet sophisticated interplay of colours and the...

Item No: MO/P4Motomu OyamaDiameter approx. 26.8cm.  Height approx. 1.2cm Little sparkles of life delicately expressed on an otherwise plain white plate, adding patina-like texture and warmth to its surface. 

Pasta Plate Tomohito Funaki san uses a less common form of traditional lacquer technique known as Makiji Urushi 蒔地 by building the layers of lacquer over coarse stone clay sediments directly applied...

Rim Plate Tomohito Funaki san uses a less common form of traditional lacquer technique known as Makiji Urushi 蒔地 by building the layers of lacquer over coarse stone clay sediments directly applied...