Item no: MARU 1-5 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A...

Item no: MARU 1-6 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A...

Item no: MARU 1-7 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A...

Item no: MARU 1-8 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A...

Item No. : MP/P3Motomu OyamaHandcrafted iron plate, individually cut, beaten into shape and seasoned, accented with the notion of a bug-eaten hole, to express a sense of impermanence and antiquity....

Item No: MO/P2Motomu OyamaHandcrafted iron plate, individually cut, beaten into shape and seasoned, accented with the notion of a bug-eaten hole, to express a sense of impermanence and antiquity. The...

Item No: MO/P1Motomu OyamaHandcrafted iron plate, individually cut, beaten into shape and seasoned, accented with the notion of a bug-eaten hole, to express a sense of impermanence and antiquity. The...

Item No: MO/P5Motomu OyamaDiameter approx. 26.5cm.  Height approx. 2.1cmHandcrafted iron plate, individually cut, beaten into shape and seasoned, accented with the notion of a bug-eaten hole, to express a sense...

Item no: OK/DW/SC/RS "Peeled off" cement-like texture in beni red tone, combined with pearl silver inner glaze. Upon applying white clay layer to red clay colour, the "white shell" is then carefully...

Item no : OK/DW/TC/RSFlower-shaped tea cups with "Peeled off" red terracotta texture, combined with pearl silver for inner glaze. Upon applying white clay layer to black clay colour, the "white...

Coupe Tomohito Funaki san uses a less common form of traditional lacquer technique known as Makiji Urushi 蒔地 by building the layers of lacquer over coarse stone clay sediments directly applied to...

Martini Tomohito Funaki san uses a less common form of traditional lacquer technique known as Makiji Urushi 蒔地 by building the layers of lacquer over coarse stone clay sediments directly applied to...