Hands as graceful as a pianist with acute sensitivity and bold ideas, Matsumoto Haruyuki took risk and pushed the limits of what porcelain traditionally represent. He created a series that...

Item no: 2-4 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A Japanese...

Item no: 2-1 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A Japanese...

Item no: 4-2 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A Japanese...

Item no: MARU 1-3 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A...

Item no: MARU 1-5 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A...

Item no: MARU 1-6 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A...

Item no: MARU 1-7 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A...

Item no: MARU 1-1 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A...

Item no: MARU 1-2 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A...

Item no: MARU 1-3 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A...

Item no: MARU 1-8 Fired in a Maki-kiln As thin and translucent as egg shell With an rich expressive textured surface formed by ash from the wood being fired. A...